Page 12 - Brokenclaw - John Gardner
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                  The  Empress  Hotel  occupies  an  entire  block  between  Government  and

               Douglas  Streets,  its  furthest  boundary  being  Belleville  Road.  On  Belleville,
               the  next  block  is  almost  completely  taken  up  by  the  beautifully  spacious,
               modern museum.
  James Bond OO7 - printing disablednced around him, not appearing to be in any kind of hurry, as he                        James Bond OO7 - printing disabled
                  Bond gla
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               walked the last few yards towards the museum. Away to his right the statue of
               Queen Victoria stood, unamused, before the large domed Government building.
                  He  paused  by  the  pedestrian  crossing,  waiting  for  the  lights  to  change,
               looking at the large angular museum building, flanked by a modern carillon and

               Thunderbird Park with its gaudy, tall totems. In his mind, Bond could hear his
               old  Scottish  housekeeper,  May,  cluck-clucking,  ‘The  trouble  with  you,  Mr
               James, is that you’re always sticking your nose into things that don’t concern
               you. Curiosity killed the cat, you know.’ But he was  curious,  fascinated  and
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               intrigued by this large man he had only seen for a few moments. For the first
               time in months, James Bond was interested in something.
                  The Rolls was parked at the side of the large building, close to the museum
               shop and entrance, its chauffeur leaning against the front passenger door. Bond

               strolled past the shop, then ruffled his hair and went into the main entrance at a
               jog. There was a line of a dozen people or so waiting to pass the ticket booth,
               so he shouldered his way through them, beckoning to a uniformed attendant.
                  ‘I’m late,’ he said, looking frantic. ‘Should be with Mr Lee.’

                  The porter took the bait, ‘Right, sir. They’re all up in the Art Gallery. Third
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               floor.’ He held a couple of people back to allow Bond to move through.
                  He remembered the third floor from his previous visit – exhibits of the first
               inhabitants of this land. Wonderful lifesize representations of American Indian

               coastal  chiefs  and  headmen;  a  magnificently  detailed  model  of  a  Kootenai
               village; another of a Sedan coastal village, together with artifacts from the old
               Indian tribes who were the first organised humans to dwell in the area; tools,
               artworks, canoes, masks and woven garments, the whole presenting the lives of

               these ancient peoples set in harmony with the environment.
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                  He ran up the escalators to the third floor, making his way past the glass
               cases and cunningly lit exhibits, turning right, slowing as he entered the large
               reproduction  of  a  Kwakiutl  Indian  Big  House,  made  of  great  beams  and

               seasoned planks. Part of the roof was open to what appeared to be the sky;
               there was the smell of woodsmoke which drifted from a realistic fire in the
               centre,  while  two  giant  thunderbird  totems  towered  above  everything.  Their





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